Albert Einstein & Charlie Chaplin at the premier of “City Lights” 1931

Albert Einstein & Charlie Chaplin at the premier of “City Lights” 1931


(via anacfranco)


Her (2013)

(via spikejonzze)



 Belief & Technique For Modern Prose, as written by Jack Kerouac
List of Essentials:
1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy
2. Submissive to everything, open, listening
3. Try never get drunk outside yr own house
4. Be in love with yr life
5. Something that you feel will find its own form
6. Be crazy dumbsaint of the mind
7. Blow as deep as you want to blow
8. Write what you want bottomless from bottom of the mind
9. The unspeakable visions of the individual
10. No time for poetry but exactly what is
11. Visionary tics shivering in the chest
12. In tranced fixation dreaming upon object before you
13. Remove literary, grammatical and syntactical inhibition
14. Like Proust be an old teahead of time
15. Telling the true story of the world in interior monolog
16. The jewel center of interest is the eye within the eye
17. Write in recollection and amazement for yourself
18. Work from pithy middle eye out, swimming in language sea
19. Accept loss forever
20. Believe in the holy contour of life
21. Struggle to sketch the flow that already exists intact in mind
22. Don’t think of words when you stop but to see picture better
23. Keep track of every day the date emblazoned in yr morning
24. No fear or shame in the dignity of yr experience, language & knowledge
25. Write for the world to read and see yr exact pictures of it
26. Bookmovie is the movie in words, the visual American form
27. In praise of Character in the Bleak inhuman Loneliness
28. Composing wild, undisciplined, pure, coming in from under, crazier the better
29. You’re a Genius all the time
30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven

 Belief & Technique
For Modern Prose, as written by Jack Kerouac

List of Essentials:

1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy

2. Submissive to everything, open, listening

3. Try never get drunk outside yr own house

4. Be in love with yr life

5. Something that you feel will find its own form

6. Be crazy dumbsaint of the mind

7. Blow as deep as you want to blow

8. Write what you want bottomless from bottom of the mind

9. The unspeakable visions of the individual

10. No time for poetry but exactly what is

11. Visionary tics shivering in the chest

12. In tranced fixation dreaming upon object before you

13. Remove literary, grammatical and syntactical inhibition

14. Like Proust be an old teahead of time

15. Telling the true story of the world in interior monolog

16. The jewel center of interest is the eye within the eye

17. Write in recollection and amazement for yourself

18. Work from pithy middle eye out, swimming in language sea

19. Accept loss forever

20. Believe in the holy contour of life

21. Struggle to sketch the flow that already exists intact in mind

22. Don’t think of words when you stop but to see picture better

23. Keep track of every day the date emblazoned in yr morning

24. No fear or shame in the dignity of yr experience, language & knowledge

25. Write for the world to read and see yr exact pictures of it

26. Bookmovie is the movie in words, the visual American form

27. In praise of Character in the Bleak inhuman Loneliness

28. Composing wild, undisciplined, pure, coming in from under, crazier the better

29. You’re a Genius all the time

30. Writer-Director of Earthly movies Sponsored & Angeled in Heaven



secretcinema1:

Ernest Hemingway, Passport Photo, 1923

secretcinema1:

Ernest Hemingway, Passport Photo, 1923


salesonfilm:


“I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see.”— Dziga Vertov (1896 - 1954)


Left to right, top to bottom:
Man With a Movie Camera (Dziga Vertov, 1929)Un Chien Andalou (Luis Buñuel, 1929)Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943)The Spiral Staircase (Robert Siodmak, 1945)Vertigo (Alfred Hitchcock, 1958)Psycho (Alfred Hitchcock, 1960)Peeping Tom (Michael Powell, 1960)Alphaville (Jean-Luc Godard, 1965)Repulsion (Roman Polanski, 1965)2001: A Space Odyssey (Stanley Kubrick, 1968)McCabe & Mrs. Miller (Robert Altman, 1971)Deep Red (Dario Argento, 1975)Rubens (Roland Verhavert, 1977)Blade Runner (Ridley Scott, 1982)Requiem for a Dream (Darren Aronofsky, 2000)Donnie Darko (Richard Kelly, 2001)Gangs of New York (Martin Scorsese, 2002)The Diving Bell and the Butterfly (Julian Schnabel, 2007) 
(via David Liu)

salesonfilm:

“I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see.”— Dziga Vertov (1896 - 1954)

Left to right, top to bottom:

Man With a Movie Camera (Dziga Vertov, 1929)
Un Chien Andalou (Luis Buñuel, 1929)
Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943)
The Spiral Staircase (Robert Siodmak, 1945)
Vertigo (Alfred Hitchcock, 1958)
Psycho (Alfred Hitchcock, 1960)
Peeping Tom (Michael Powell, 1960)
Alphaville (Jean-Luc Godard, 1965)
Repulsion (Roman Polanski, 1965)
2001: A Space Odyssey (Stanley Kubrick, 1968)
McCabe & Mrs. Miller (Robert Altman, 1971)
Deep Red (Dario Argento, 1975)
Rubens (Roland Verhavert, 1977)
Blade Runner (Ridley Scott, 1982)
Requiem for a Dream (Darren Aronofsky, 2000)
Donnie Darko (Richard Kelly, 2001)
Gangs of New York (Martin Scorsese, 2002)
The Diving Bell and the Butterfly (Julian Schnabel, 2007) 

(via David Liu)


(via spikejonzze)